Related Gallery<\/h3>\nStreetwear\u2019s Leaders of the New School<\/h2>\n<\/article>\n
“It’s a prescient reminder to continue supporting the arts, championing what’s next and celebrating work that has the power to transform lives and wider society,” she added.<\/p>\n
The brand was an early mover on the luxury fashion podcast front, launching 3.55 by Chanel in 2017. The series specializes in fashion-focused talks with friends and brand ambassadors, including Keira Knightley, Sofia Coppola and Williams.<\/p>\n
<\/p>\n
“Chanel Connects” is a new lineup of cultural podcasts that launches Friday on 3.55 by Chanel. <\/span><\/p>\n
This cultural series is the latest addition to the mix, and saw contributors self-record from their homes and studios. Some know each other, while others met over the airwaves for the first time.<\/p>\n
The company said it wanted a mix of emerging and established talent, and to highlight individuals from institutions “where Chanel’s patronage helps to accelerate equality of voice and enhance the visibility of women as creatives and leaders.” Among its many other sponsorships, Chanel had long hosted the Serpentine’s annual summer pavilion party.<\/p>\n
In one episode from the series, Knightley talks to Lulu Wang, writer and director of the critically acclaimed movie, “The Farewell.” The conversation, led by producer and writer Diane Solway, sees the talents talk about growing up on screwball comedies, and “the need for strong women on both sides of the camera.”<\/p>\n
In another, choreographer Akram Khan connects with Tamara Rojo, the artistic director of English National Ballet, and a lead principal dancer. The conversation is led by James Whiteside, principal dancer at American Ballet Theatre, who’s also a choreographer, recording artist and drag queen.<\/p>\n
In episode seven, “Seeing the Unseen,” artist Arthur Jafa connects with painter and winner of the 2020 Rome Prize Jennifer Packer. The conversation involves Hans Ulrich Obrist, curator and artistic director of the Serpentine Galleries in London. They talk about the social, political and historical ways their work can be viewed, and what makes a piece of art successful.<\/p>\n<\/p>\n
Chanel’s move captures a zeitgeist of 2021, as forward-thinking brands look beyond fashion and into the broader cultural world and cultivate new and more diverse audiences.<\/p>\n
“Luxury is moving very quickly toward the entertainment world and the content production world — and the product is just one element of the value proposition,” said consultant Claudia D’Arpizio, a partner at Bain & Co. in Milan in an interview with WWD.<\/p>\n
D’Arpizio described luxury as a “creative industry at large. And so if you are credible as a creative person, your territory doesn’t only have to be fashion. You can broaden your reach and the brand can become a platform to accommodate other voices that can be broadcast to a broader public. So that’s where collaborations, not only with other designers, but other artists, come into play,” she said.<\/p>\n
Source: Read Full Article<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"
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