Ashley Alvarez<\/strong> (writer) and Michael León <\/strong>(co-writer and director) with Crabs in a Barrel <\/em><\/strong>(U.S.A): When her talentless frenemy is anointed the “future of Latinx voices,” a struggling Latina writer sets out to sabotage the unearned opportunity. After failing to recruit her friends to join her crusade, she gets a lucky break when she learns her rival isn’t exactly who she says she is. <\/p>\n Ashley Alvarez<\/strong> is a Cuban-American actress, writer, and producer. As an actress, she’s worked extensively in theater, film, and television, most recently appearing on Search Party<\/em>. She is a Sundance Screenwriters Lab fellow and the Sundance Comedy Fellowship recipient. Her short film Crabs in a Barrel<\/em> won the HBO Latinx Short Film Competition. Screenwriting Fellow, Sundance Institute 2022 Screenwriters Lab.<\/em><\/p>\n Michael León<\/strong> is a Cuban-American writer\/director. His short, Crabs in a Barrel<\/em>, is an HBO Latinx Short Film Competition winner. His play, The Cubans<\/em>, had its world premiere at Miami New Drama. He’s the co-creator of the virtual play Carla’s Quince<\/em>, which was nominated by the Drama League. 2022 Sundance Institute Comedy Fellow, Directing Fellow at the 2022 Screenwriters and Directors Lab. <\/em><\/p>\n Luna X. Moya<\/strong> (director\/producer\/editor\/DP) with What the Pier Gave Us <\/strong><\/em>(U.S.A): A visually poetic film about immigrants who fish at a New York City pier. In five vignettes, What the Pier Gave Us<\/em> lyrically captures the seasonal changes of a pier in a year.<\/p>\n Luna X. Moya<\/strong> is a documentary Director and Editor whose work screened at A+E Networks, MoMA, The Shed, BAMcinemaFest, and AFI Docs. Their second directorial film What The Pier Gave Us <\/em>started off as a short and a feature is in production with support from Sundance (2021 Accessible Futures Intensive) and Catapult Film Fund.<\/p>\n Marilyn Oliva<\/strong> (director\/producer) with Chalate<\/em><\/strong> (U.S.A): A grandmother teaches her young granddaughter valuable life lessons while they make ends meet selling what they can in the small market of Chalatenango, El Salvador.<\/p>\n Marilyn Oliva<\/strong> is a first-generation, San Francisco-born, Chicago-based Latina filmmaker. She holds a Bachelor’s Degree in Anthropology with an emphasis on Latinx Studies and a Master’s Degree in Documentary Media. 2021 Sundance Ignite x Adobe Fellow.<\/em><\/p>\n George Pérez<\/strong> (creator\/writer) with Los Cubanos<\/em><\/strong> (U.S.A): Forced to flee Castro’s Cuba in 1980, a husband and wife make the gut-wrenching decision to abandon their daughter. Now, in a menacing and uncertain America, they’ll do anything to protect their other child; becoming drug traffickers and assassins, echoing the past they left behind. <\/p>\n George Pérez <\/strong>assisted on a TV News station’s five-part series on child sex-trafficking, leading to the rescue of a teen victim from her pimp. This led George to shine the light of truth on juvenile exploitation\/injustice through his writing. 2022 Sundance Episodic Fellow.<\/em><\/p>\n Cat Rodríguez<\/strong> (divisor\/performer) with Untitled Bikini Bodybuilding Project<\/em><\/strong> (U.S.A): A hybrid theater and live-stream performance that uses a female bodybuilding competition as an allegory for questions about race, class, gender, and climate.<\/p>\n Cat Rodríguez <\/strong>werks as a feral actor + director. A co-foundress of Fake Friends, she recently performed in the company’s original play Circle Jerk <\/em>(2021 Pulitzer Prize for Drama Finalist). She considers herself a nomad but always names New Orleans and Nicaragua home. 2021 Art of Practice Fellow.<\/em><\/p>\n For more information on those chosen for the Collab Scholarship, read on.<\/em><\/strong><\/p>\n Shireen Alihaji<\/strong> (writer\/director) with Blue Veil<\/em><\/strong> (U.S.A): In the wake of 9\/11, a First-Gen Muslim teenager discovers her mother’s record collection and begins sampling. The songs reflect her parent’s migration stories (from Iran and Ecuador) to America, and serve as a roadmap to Amina’s identity. As music unlocks memories, Amina remembers who she is.<\/p>\n Shireen Alihaji<\/strong> is a Latinx, Iranian, Muslim, Disabled filmmaker born and raised in LA. Her intersections inspire her to create space through film technologies. Given how we remember is pivotal to healing, her films use memory as a contra-gaze to surveillance to uncensor the imagination and mirror our infinite reflection.<\/p>\n Erin Nene-Lee Ramirez <\/strong>(writer\/director) with Love, as an Illusion<\/em><\/strong> (U.S.A) : In the heat of a New England summer, a young Dominican student finds himself stirring up the intimate dynamic between a reckless teenage couple as he spends his final days in the US, where he challenges the couples’ ideas of acceptance, intimacy and love.<\/p>\n Erin Nene-Lee Ramirez<\/strong> is a queer, Chinese-Jamaican and Dominican filmmaker originally from New Hampshire. His work which explores themes of identity, immigration, and race, investigates the dualities and contradictions within society, with the intention to form a more liberated and collective future. A 2019 NeXtDoc Fellow, Erin is currently pursuing an MFA at Columbia University.<\/p>\n Fabiano Mixo<\/strong> (writer\/director) with A Home of My Own <\/em><\/strong>(U.S.A) : When an insomniac handyman comes across a train in the forest after a flood in town, he decides it’s time to build his own house.<\/p>\n Fabiano Mixo<\/strong> is a Brazilian artist and filmmaker. He has been working across film, extended reality and new media art. His work has been exhibited worldwide, including film and art festivals such as Tribeca and the European Media Art Festival. Prior film residencies include MIT Open Documentary Lab and Berlinale Talents. Mixo is founder and creative director of VILD Studio. <\/p>\n Maggy Torres-Rodriguez<\/strong> (writer) with Cherries<\/em><\/strong> (U.S.A): Inner-city Miami knew the gang as The Cherries – sweet Latina vigilantes who protected teenage girls by keeping drugs off the streets… and butchering drug dealers if they had to. Ten years later, the retired Cherries are forced to reconvene in order to survive against the resurgence of old enemies.<\/p>\n Maggy Torres-Rodriguez<\/strong> is an award-winning Cuban-American screenwriter and editor born in Miami, FL. Upon receiving her MFA from USC’s School of Cinematic Arts in Screenwriting, Maggy worked as an Executive Assistant at Lionsgate and as an editor for HBO. She is currently an adjunct professor teaching film production and screenwriting.<\/p>\n
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